Conversations section. One concept in review — the Convergence Rail, as a two-column auto-playing slider. Follows DESIGN-DIRECTION.md and the measured mechanics of baileyhart.framer.website. The tone swatches at the foot of the page are reference material.
Four ways in, one destination. The headline promises host, capture and centralize, so the layout has to show convergence rather than four equal features.
Conversations
Host on Bridge, capture the tools your team already uses, record the room, or bring years of history with you. Everything arrives in the same inbox — transcribed, attributed and searchable.
What changed. Heading up from 44px to 60px. Cards up from 268×176 to 380px portrait, now people-led — a photograph or live video base with a glass chip on top and a real product-UI fragment overlapping the lower edge, so people imagery and product UI sit in the same element instead of competing. The destination was a 390px sidebar; it is now a full-width strip with 40px icons and 15px rows. Section padding 96px. Sand, brown and sage each appear once in the chip row.
Still true. Hovering a card highlights the row where that input lands — the convergence idea is intact, just bigger.
Conversations
Host on Bridge, capture the tools your team already uses, record the room, or bring years of history with you. Everything arrives in the same inbox — transcribed, attributed and searchable.
The structural difference. Concept 1 puts a white rounded panel on top of an image, in every card. Concept 2 has no panels at all: each card is divided into edge-to-edge bands, and the surface colour changes per card — white for Host, white for Capture, deep sand-brown for Bring your history, white for Record. Nothing floats.
Per-card composition. Host overlays player-style chrome on the video rather than a card. Capture drops photography entirely for a 2×2 tile grid of connectors on the dune field. Record makes the waveform the subject at full width, with the transcript below it. Bring your history inverts to a dark band, with each platform named beside its icon and its own volume.
Sand dune, brown and light brown come straight from the measurements. The sage is derived — see the note below.
On the light green. It is not in the references. A full-pixel scan of both photographs found green-dominant pixels at 0.0068% and 0.0147%, averaging #1F2007 — near-black foliage in shadow. Bailey Hart has one acid lime used twice. The sage is reconstructed from the cool-leaning luminance bands of both photos, which agreed to within one or two values. Trustworthy hue family, no direct support — the one token worth your eye before it ships.